In this primary of a deliberate five-volume set, David Roy offers an entire and annotated translation of the well-known Chin P'ing Mei, an nameless sixteenth-century chinese language novel that specializes in the household lifetime of Hsi-men Ch'ing, a corrupt, upwardly cellular service provider in a provincial city, who continues a harem of six better halves and concubines. This paintings, recognized essentially for its erotic realism, can be a landmark within the improvement of the narrative paintings form--not merely from a in particular chinese language viewpoint yet in a world-historical context.
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