While postcolonial discourse within the Caribbean has drawn cognizance to colonialism’s impression on house and spatial hierarchy, Stanka Radović asks either how traditional humans as "users" of area were excluded from lively and self reliant participation in shaping their day-by-day spatial fact and the way they problem this exclusion. In a comparative interdisciplinary analyzing of anglophone and francophone Caribbean literature and modern spatial idea, she specializes in the home as a literary determine and the ways in which fiction and acts of storytelling withstand the oppressive hierarchies of colonial and neocolonial domination. the writer engages with the theories of Henri Lefebvre, Michel Foucault, and modern severe geographers, as well as chosen fiction by way of V. S. Naipaul, Patrick Chamoiseau, Beryl Gilroy, and Rafaël Confiant, to ascertain the novelists’ development of narrative "houses" to reclaim not just genuine or imaginary areas but in addition the very stipulations of self-representation.
Radović eventually argues for the facility of literary mind's eye to contest the constraints of geopolitical obstacles by means of emphasizing house and position as basic to our figuring out of social and political id. The actual locations defined in those texts crystallize the protagonists’ ambiguous and intricate courting to the recent international. area is, then, because the writer indicates, either a political truth and a strong metaphor whose imaginary capability regularly demanding situations its fabric limitations.
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